Digital technologies, artificial intelligence, robotics, and new means of communication are rapidly changing our way of thinking and doing as well as our bodies and our relationships with each other. Intelligent software, sensors, interfaces, protocols, and robots are anything but passive work tools, drastically changing the physiological, experiential, psychological, and cultural foundations of human life and experience.
The sixth edition of the Technosphärenklänge series by Haus der Kulturen der Welt and CTM Festival enters these new realities by means of sound and performance, showcasing collaborative artistic practices that can produce new and hybrid identities between humans and machines.
The world premiere of the performance Alia: Zǔ tài: In the powerful sound choreography by Marco Donnarumma and Nunu Kong, an artificial intelligence connects three dancers equipped with sensors interacting with robotic prostheses to sound and light to create a kinetic feedback loop.
On their album Dimensional People, Mouse on Mars use old and new sound technologies to explore the process of music making as a model for a networked, polyphonic society. Technology acts both as an independent voice and as a mediator and translator for human encounters. The Mouse on Mars Dimensional People Ensemble puts guest musicians such as Andrea Belfi, Zach Condon from the band Beirut, Benjamin Lanz from The National, Moritz Simon Geist, and Dodo NKishi along with sound and light machines on the stage.
The Technosphärenklänge series is a cooperation between Haus der Kulturen der Welt and CTM Festival, and part of the "100 Years of Now", supported by the Federal Government Commissioner for Culture and the Media due to a ruling of the German Bundestag.
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