Door proceeds go to Californians negatively impacted by the recent wildfires.
Diamondstein:
''All instrumental, this one has two modes: moody 1980s film driving montage, and atmospheres saturated with rain and fog. ''Finding Peace Where There Isn't'' charges with 808 thrust, and ''April 1987'' soups up its rain on windscreen dreamy melody with a few Aphex acid squelches in the bassline - a nod to ''Avril 14th''? ''Orbital'' washes yet more rain over a muted sax pad, and in the watery ''Journey Into The Unknown'' you can hear the diluted influence of Vangelis's incidental music for Blade Runner. Alienated and nostalgic, these instrumentals would work as an alternative soundtrack to the video game Kentucky Route Zero, with its sunset colours, stark, mid-century petrol stations and futurised Edward Hopper vistas, and endless miles of road for the solo driver, looking for clues in an uncanny world". - The Wire Magazine (Issue 417)
Schwarzmodul:
LA-based artist schwarzmodul produces the kind of glitchy electronics most suited to the industrial decay of the city he has made home. It's a bent form of techno, a soundtrack to "big city machinery and sonorities, dilapidated architecture, circuits, and ghostly faces."’
- XLR8R
Anthony Baldino is a composer and sound designer based in LA whose work spans an enormous range of production avenues. The likelihood that you haven't heard his work is nearly impossible with music and sound design in too many trailer campaigns to list. With Prometheus, Interstellar, Ex-Machina, Star Wars: Rogue One and Avengers: Infinity War just to name a few, from there his work ventures to the opposite pole of production with custom sound design based compositions for Dolby Labs mixed in Atmos, beautifully glitched out remixes and continues on to mind bending modular synthesizer performances.
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