FILMS / TALKS / CONCERTS / DJ SETS
Participating artists:
Main Stage:
- Elliott Sharp (NYC)
- Gil Kuno featuring Tamio Shiraishi (Japan)
- Kim Bartashian (Poland)
- Gerard Lebik (Poland)
- Phill Niblock (NYC)
- Maciej Ożóg (Poland)
Lounge Stage - Lost Soul Enterprises Presents:
Richard Gamble
Darren Ho
Vveiss
Djs.
- DJ Richard (Lost Soul, NYC)
- G-Sound (Poland)
https://www.mixcloud.com/gsound/
- Eduardo Smetana (Poland)
https://soundcloud.com/eduardosmetana
- Gil Kuno (Japan, LA)
http://unsound.com
- m_ozog (Poland)
https://soundcloud.com/m_ozog
Timetable:
18:00 – 19:00 Screening
- Zbigniew Karkowski interviewed by Malga Kubiak
- Zbigniew Karkowski / Atsuko Nojiri – Continuity (Asphodel)
- Float
- Tritonal Rapture
- Membrane
19:00 – 23:00 – Concerts (Main stage)
19:00 – 19:30 - Kim Bartashian
19:30 – 20:00 - Elliott Sharp
20:00 – 20:30 - Gerard Lebik
20:30 – 21:00 - Gil Kuno featuring Tamio Shiraishi
21:00 – 21:30 - Maciej Ożóg
21:30 – 22:30 - Phill Niblock
19:30 – 23:00 – DJs (Lounge)
23:00 – 05:00 – DJs (Main stage - times TBD)
- G-Sound
- Eduardo Smetana
- Gil Kuno
- DJ Richard
- m_ozog
Elliott Sharp
Sharp is an American multi-instrumentalist, composer, and performer.
A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. He leads the projects Carbon and Orchestra Carbon, Tectonics, and Terraplane and has pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction.
His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka.
Sharp is a 2014 Guggenheim Fellow, and a 2014 Fellow at Parson's Center for Transformative Media. He received the 2015 Berlin Prize in Musical Composition from the American Academy in Berlin. He has composed scores for feature films and documentaries; created sound-design for interstitials on The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums. He is the subject of a new documentary "Doing The Don't" by filmmaker Bert Shapiro.
http://www.elliottsharp.com
Gil Kuno
Through experiments in the audio-visual and re-envisioning experiences common within everyday life, Gil's aim is to push people away from paradigmatic thinking. He takes a whimsical approach in subverting common perception of reality. Exaggerated perception and derailed reality are central themes to his work.
He has achieved recognition from Ars Electronica, Japan Media Arts Festival, Canon Digital Creators Contest, Timothy Leary (Leary.com), among others. He has collaborated with artists such as Eye Yamantaka (Boredoms,) Yoshimi (Boredoms, OOIOO,) Battles, Vincent Gallo, Elliot Sharp, Ken Ishii, Tatsuya Yoshida (Ruins,) Carl Stone, Alec Empire (Atari Teenage Riot,) Steve Albini (Big Black, Shellac,) Cristian Vogel, Kasper Toeplitz, Zbigniew Karkowski, Merzbow, GX Jupitter Larsen (The Haters,) Nissennenmondai, Christian Galarreta, Joseph Hammer, Patric Catani (EC8TOR,) Jaap Blonk, etc.
http://unsound.com
Tamio Shiraishi
Late 1970's: started performing music in public, collaborated with various musicians (including Keiji Haino) at the club "minor" in Kichijoji, Tokyo.
1980's: In Tokyo, participated performances of "Homo-Fictus"
(dramatic company), performed with various butoh dancers.
1990: In the USA, performed with various musicians at various places including "abc no rio" in NY.
1992: In Tokyo, often performed at Shinjuku-Nishiguchi station square (on the street.)
1994: In NY, started performing with many musicians including
"Crash Worship".
2008: Started performing at subway stations in NY (still continuing.)
Now: Performing with many artists (mostly musicians but also performance
artists) mostly in NY.
Gerard Lebik (1980) - his music and sound works oscillate between improvised and composed forms. Using acoustic and electronic media, he focuses on such phenomena as time, space, the perception of sound waves. Founder of the Sanatorium of Sound festival/platform for experimental and new music. Collaborated and performed with: Keith Rowe, Phil Minton, Ryoko Akama, Lucio Capece, David Maranha, Kasper T. Toeplitz, Eryck Abecassis, Paul Lovens, Piotr Wojtasik, Kazuhisa Uchihashi, Jerome Noetinger, Noid, Klaus Filip and many others.
http://gerardlebik.net/
http://festiwal.sanatoriumdzwieku.pl/en/
http://gerardlebik.blogspot.com/
Kim Bartashian is an audio-visual project that draws from Slavic and Asian cultures. This results in shared meditation accompanied by resonance as well as intertwined elements of noise and music concrete.
A certain sentence in Greek: „ουδεις δε λυχνον αψας εις κρυπτον τιθησιν ουδε υπο τον μοδιον αλλ επι την λυχνιαν ινα οι εισπορευομενοι το φεγγος βλεπωσιν” lies at the core of the concept of a performative activity, which releases rays of light through a reactive combination of body movement and sound.
Kim Bartashian are the creators of a performative installation „Ray” („Promień”) and initiators of a series of sound meetings Rznns.
Phill Niblock is an intermedia artist using music, film, photography, video and computers. He makes thick, loud drones of music, filled with microtones of instrumental timbres which generate many other tones in the performance space. Simultaneously, he presents films / videos which look at the movement of people working, slides, or computer driven black and white abstract images floating through time. He was born in Indiana in 1933. Since the mid-60's he has been making music and intermedia performances which have been shown at numerous venues around the world. Since 1985, he has been the director of the Experimental Intermedia Foundation in New York where he has been an artist/member since 1968. He is the producer of Music and Intermedia presentations at EI since 1973 (about 1000 performances) and the curator of EI's XI Records label. In 1993 was formed an Experimental Intermedia organization in Gent, Belgium - EI v.z.w. Gent - to support the artist-in-residence house and installations there.
Niblock’s minimalistic drone approach to composition and music was inspired by the musical and artistic activities of New York in the 1960s (from the art of Mark Rothko, Carl Andre, Sol LeWitt, Donald Judd, Robert Morris to the music of John Cage and Morton Feldman's Durations pieces). Niblock's music is an exploration of sound textures created by multiple Tones in very dense, often atonal tunings (generally microtonal in conception) performed in long durations. Much of his pieces are based on collaborations with specific musicians. Over the years he has thus worked with a large number of the most diverse players including: Susan Stenger, Robert Poss, Jim O'Rourke, Ulrich Krieger, Seth Josel, Peter Kotik, Tom Buckner, and many others. He is the recipient of the prestigious 2014 Foundation for Contemporary Arts John Cage award. His music is available on the XI, Moikai, Mode Records, and Touch labels. A double-DVD of films and music, lasting nearly four hours, is available on the Extreme label. Phill Niblock's retrospective in Lausanne CH was realised in partnership between Circuit (Contemporary Art Centre Lausanne - http://www.circuit.li/ ) and the Musée de l’Elysée (the national museum devoted to photography - http://www.elysee.ch/ ), Mathieu Copeland, curator; January 29 until May 12, 2013 Phill Niblock’s book, Working Title (2012) is published by les presses du reel, Dijon, France (in français / anglais). Un panorama des activités de l'artiste multimédia et compositeur new-yorkais depuis les années 1960, à travers des essais de musicologues, critiques et historiens de l'art, de nombreuses illustrations, des partitions et 4 films sur DVD. A collection of articles on Phill Niblock’s work is edited by Yvan Etienne http://www.lespressesdureel.com/
http://www.lespressesdureel.com/collection_serie.php?id=28&menu=1
In 2014, he is the recipient of the John Cage Award from the Foundation for Contemporary Arts.
www.phillniblock.com
www.experimentalintermedia.org
Maciej Ożóg is a theorist of culture, sound artist, curator and dj. His research focuses on interactive art, tactical media, bio art, network society, surveillance studies and posthumanism. He has published a number of articles on aesthetics of interactive art, history and theory of avant-garde film, video art and experimental music. His book „Life in a silicon cage. New Media Art. as a Critical Analysis of Digital Surveillance” (in polish) was published in 2018 by Lodz University Press.
Associate professor at the Institute of Contemporary Culture, School of Media and Audiovisual Culture, University of Lodz.
Since the early nineties he’s been involved in experimental music scene of Poland. The founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of sound art, live multimedia performance, interactive installations and video art. In his solo performances he critically explores limial territory between physical activity of the body and invisible electromagnetic infrastructure of the hybrid space. He uses custom designed sound devices as well as digital and analogue electronics. In May 2015 he released his first solo album "Electric Disobedience of Flesh" (Requiem Records). His new CD “Moist Hardware” will be out in August 2018.
In 2015 he began working with Mariusz Knysak (ozog/knysak). The first effect of this collaboration is the audio-visual performance “Ephemeral Interferences”, which premiered in May 2016.
Between 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear.
Organiser of L’tronica Festival for Electronic Music and Art. Curator of Perform_Tech program at Art Factory in Łódź. Curator and co-curator of numerous events such as (i.a.): four editions of the exhibition "Die Kunst Ist Toth", concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Kasper T. Toeplitz, Marco Donnarumma, Ryan Jordan, Gil Kuno and many others.
https://soundcloud.com/maciej-ozog
http://media.uni.lodz.pl/
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"Ex-L'tronica. Karkowski re:mix" is a project by L’tronica Festival from Łódź, Poland – a festival of electronic music and new media art. It presents the personage of Zbigniew Karkowski, one of the greatest Polish composers and virtuoso of avant-garde electronic music, who died in 2013.
The main objective of the project is to highlight the reception of Zbigniew Karkowski’s heritage, that still inspires a number of avant-garde musicians in Poland and abroad, and remains a vital issue for both scholars and experimental electronic music composers.
The project will be shown in six countries: Germany, Czech Republic, France, Great Britain, Japan, and the USA. Each undertaking within consists of performances of pieces composed by Karkowski and played by Polish musicians, and renditions of his works by Polish and foreign artists together. Along with the concerts of electronic music there would be screenings of the movies about Zbigniew Karkowski, accompanied by documentations on his performances and installations.
Project financed from the funds of the Ministry of Culture and National Heritage within the scope of the Multiannual Program INDEPENDENT 2017-2021 as part of the „Cultural Bridges” subsidy program of the Adam Mickiewicz Institute.
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