Lerosa & Philip Galvin
- 日付Sat, Apr 18, 202022:00 - 01:30
- プロモーター
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Lerosa Lerosa, Dublin based producer and DJ. musical output since the mid ‘00s has seen him traverse house, techno, electro and ambient, releasing on such lauded and influential labels as Further Records, Idle Hands, Ferox and Ostgut Ton alongside Ireland's own D1 Recordings, Lunar Disko and Apartment Records. He likes cats Lerosa | Listen on hearthis.at Lerosa has perfected the art of understated electronic music. Rather than pursuing flashy arrangements or mind-twisting sound design, the Dublin-based Italian has employed classic tools to craft elegant house, techno and electro with beautiful simplicity. It's the kind of approach that, in the wrong hands, is often dull or forgettable. But it has always yielded compelling results from this often overlooked artist. Lerosa emerged after the height of mid-'00s minimal in a curious pocket of house, where stripped-down aesthetics and a subtly inventive weirdness met warm sound palettes and old-school production. (It's the same groove artists like Move D, Juju & Jordash and Anton Zap found a foothold in.) Though Lerosa's last album, 2011's Amanatto, drew from Larry Heard and the Chicago forefathers, his nomadic catalogue has since ranged from Italo-tinted party tracks to basement-ready acid. On Lerosa's latest album, for Los Angeles' Acid Test, the atmosphere is Mostly one of stately hypnosis—the kind of regal, dubbed-out textures and subliminal rhythms found in the music of Donato Dozzy, a past collaborator. Bucket Of Eggs' opening track features metallic slithers of pads, chords and effects darting like sprites around an off-centre acid throb and Submerged beat. It's instantly engaging, artfully sculpted and, true to Lerosa's style, tastefully low key. There's been a particular dubby approaches in techno recently, from Anthony Naples' Fog FM LP to HVL's Ostati. Lerosa's LP also fits this trend, especially on "Deadline." The space in the mix is as important as the effects, but it's worth latching onto the current of acid bass underneath the scattered ripples, decays and weightless synth drops. One track on Bucket Of Eggs is called "Sheffield, " presumably a callback to the bleep techno forged there in the late '80s. While there's a liberally applied bassline, the occasional bleepy riff and swooning pads, it doesn't feel like an attempt to specifically ape the early Warp Records sound. Rather, Lerosa's taken a few cues and pressed on with his own ideas, which is quite emblematic of his career overall. There's a fine line between taking influence and making pure throwback music. Lerosa is comfortably in the former camp. An album as subtle as this could easily pass many people by (as may have happened with Lerosa's past work). But for listeners attuned to more understated house and techno, Bucket Of Eggs is another masterful excursion from a producer exploring his sound with minimum fuss. - シェアする
- DeepHeat is back at the Lighthouse with Lerosa & Philip Galvin
- 最終更新日4 years ago
- 料金€8
- 最低年齢18+
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