CRAOW
Craow is the moniker of the Providence, RI-based musician Sean Halpin. His sound can be described as a unique approach in his song writing using dark beat heavy electronic music falling between the genres of EBM, experimental and dance music of the early 80s. He utilizes thick and heavy rhythmic sounds under cold/and discordant melodies coated with effects while processed vocals deliver topics ranging from personal fears and doubts to metaphors of his own hobbies. It is fully live with hardware synthesizers , samplers, and voice.
craow.bandcamp.com
ORMUS
Ormus is the solo sonic and visual offerings from multi instrumentalist Ashley Spungin, a drummer, coder, visual artist, and instrument builder based in Portland, Oregon. Her live performance is a unique and unparalleled experience. She wields her drum kit as a controller, firing off synth layers, treated drums, and altering visuals live via hand built drum triggers. The result is a multi-sensory event, combining elements of analog synth soundscapes, driving percussion, and real time visual manipulation.
Previous projects from Spungin include experimental / doom outfits Taurus and Insect Ark. In both bands, she used her drumming and synthesizer skills to help shape their unique sound. She also owns Ormus Electronics, a custom synthesizer company she runs and operates in Portland Oregon. Her synths have been featured on records by The Body, Hissing, Dark Castle and more.
ormus.bandcamp.com
BOOKWORMS
Nicholas Dawson has been producing music under the Bookworms moniker since 2012. His work has been called “like listening to a techno or house record that's been doped up on tabs of acid and having one revelatory experience after another.” He has recorded for L.I.E.S., BankNYC, Anomia, Break World Records, and more. He also runs a party and label in New York called Confused House, notable for its focus on hardware techno from the city, and abroad.
bookworms.bandcamp.com
SEARMANAS is the solo moniker of electronic producer Niabi Aquena. Originally hailing from the Shenandoah Valley in rural Virginia, Aquena has based her musical practice in New York City for almost two decades. A classically trained pianist and vocalist, her musical evolution has led her to experiment with electronic hardware. The sound of Searmanas explores the role of ceremony within urban experience, resulting in severe, textured landscapes with etheric droning vocals. Her wordless poetry ranges from industrial glitches to layered, oceanic progressions, all tied together by an aura of questioning and chaos. Find her self-titled album out now via Cleopatra Records.
searmanas.bandcamp.com
COMPACTOR is an interconnected set of mostly obsolete machinery that is manipulated by an anonymous figure known as The Worker under orders from a faceless corporation. The noises of the machinery form a soundtrack to the urban wasteland. The result is industrial noise that is often rhythmic and glitchy. Subject matter is mostly focused on work, technology, and dehumanization. Audio Work Documents have been licensed to Phage Tapes, Ohm Resistance, Annihilvs Power Electronix, and others since 2011.
http://www.wastemgt.info
DJ MISTRESS MCCUTCHAN has played Goth, Ethereal, Deathrock, Post-Punk, and Electronic music for audiences across various cities in the USA, Canada and the UK. She was a resident DJ at NYC’s long-running Contempt, and recently spun at Convergence festival. Now a Toronto resident, she established the monthly dark dance night Prophecy and multi-faceted Salon Noir events.
https://www.mixcloud.com/mistressmccutchan/
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