Kosmoskonzerte #37

  • :::::: Eric Maltz :::::: Producer Eric Maltz, NYC native [now] based in Berlin, introduced himself to the dance music community with the debut ep NS17 on Levon Vincent’s Novel Sound label. “The fiendishly eclectic and left-of-centre set” * shows a generous cross-section of Eric’s electronic output, with tracks like the dub techno All The Things featuring Eric on vocals, the trance inducing ambience ambient Symphony at Dawn, the big room techno of Time the sultry vocal house of We Have Power. ”Ace Techno that actually sounds & blends Dub, Minimal & Ambient traditions” **Coming up on 2018 is his first 12” on his own record label Flower Myth. The Pathway EP features 3 tracks that explore the doubts and fears one faces and has to overcome when setting out on a new path. Aimed squarely at the dancefloor this music will be heard at full volume this spring. Where did it begin? Piano lessons at 6 set Eric on his path. Studying not just classical but improvisation, the urge to write music blossoms and Eric purchases a 4track, sampler + drum machine at 15. After high school he studies studio composition at the conservatory, and afterwards lands a job working at Halcyon record shop alongside Levon Vincent. Soon after he finds himself working full time in recording studios, changes gears and moves to Lima then Madrid > multi lingual and music is a beautiful pure free language of it’s own > Underneath all the life experience the piano is always resonating, traveling with Eric everywhere an external organ expressing the inner, always improvising, creating, experimenting, the pianos sonorities can be found in almost every creation, sometimes obvious, sometimes disguised. Next/now? Playing out, actual live electronic dance music, spontaneous, getting the computer to sing, getting the computer to smoke, getting the keys hot, the room hotter. Stirring the soup. Eric performs live with computers and synthesizers and a piano (if you can fit it in the booth – “there’s always room for a piano” Macky always says). A whole world, no screens no lights – just a black room, and sweat and bodies moving, and space traveling together. https://ericmaltz.com/ https://www.facebook.com/ericmaltzmusic/ https://soundcloud.com/ericmaltz :::::: Brueder Selke :::::: The brothers Sebastian and Daniel Selke or Brueder Selke, mostly known as CEEYS are East German composers and poly-instrumentalist recording artists and performers based in Potsdam, nearby Berlin. While mainly connected to the fields of contemporary classical and ambient music, their works balance these genres. BS perform an idiosyncratic style that is characterised by intimate and playful improvisations and a rather reduced approach to contemporary composition. By exploiting their knowledge of songwriting, textures and repetitive patterns, they create an experimental but accessible minimalism between the avant-garde and pop that incorporates elements of jazz, ambient and classical chamber music. Indebted to their childhood environments, their music is as much a product of their childhood landscapes, as it is the modern world in which they live. Their award-winning work is provoked by their urge to explore recollections of their youth, both before and after the fall of the Communist regime, and to apply those lessons and influences to contemporary music. In October 2020 they released “Hausmusik” which saw John Lewis describe it as “...metronomic, Nyman-ish miniatures that sound as if they’ve been plotted on graph paper; tracks like Reunion see them jabber rhythmically, with Sebastian playing pizzicato; elsewhere they explore texture – creaking strings, bashed wood, triple stopping – over minimal one-chord drones with a horror-movie intensity.“ The Guardian writes. New music and projects are set for release in 2021. www.bruederselke.com www.q3ambientfest.com
    • イベント管理人
      CraigMIllinoisイベント情報を更新する
    • 最終更新日
      3 years ago
    • プロモーショナルリンク
    • 料金
      Donation 5 -15€
    • このイベントで問題がありましたか?
      RAのチケットサポートに問い合わせる
  • Kosmoskonzerte #37 - フライヤー表
RA