Using a filtered and treated electric guitar as the starting point for his lush soundscapes, Fennesz has created a personal and groundbreaking discourse throughout his career. Perhaps sculpting the last truly unique vision for the guitar, his luminant compositions are anything but sterile experiments. Fennesz’s world of sound unfolds and resembles sensitive, telescopic recordings of rainforest insect life or natural atmospheric occurrences, an inherent naturalism permeating each piece. In addition to his prolific output as a solo artist, and his ongoing investigation of the limits of noise, automatic composition, field music or contemporary classical, Fennesz is also a frequent collaborator with other luminaries of the scene. These include artists such as Alva Noto, Oren Ambarchi, Ryuichi Sakamoto, Keith Rowe, Peter Rehberg, David Sylvian, and Jim O’Rourke.
Currently studying sonic arts in Berlin, Joseph Kamaru aka KMRU is a Nairobi-born, Berlin- based sound artist whose work is grounded on the discourse of field recording, noise, and improvisation. His work posits expanded listening cultures of sonic thoughts and sound practices, a proposition to consider and reflect on auditory cultures beyond the norms, and an awareness of surroundings through creative compositions and installations. His last three albums, 2020's "Peel", "Opaquer" and "Jar" received high praise from Resident Advisor, DJ Mag, NPR, and Bandcamp, KMRU is part of SHAPE platform roaster of artists for 2021. His works have been presented in NyegeNyege Festival (UG), CTM Festival (DE), GAMMA (RU), and Mutek Montreal and Barcelona.
Patricia Wolf is a musician, sound designer, and curator residing in Portland, Oregon. Wolf uses electronics, voice, and field recordings to produce non-linear compositions that draw listeners to a hypnotic inner world. Her use of melody and repetition manipulate the listeners' perception of time, conjuring vivid textures, and atmospheres.
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