😈 MISIÓN w/ MLADEN TOMIC and LEFTWING & KODY
+ 530
Commonwealth
2.2.21 | 10PM-LATE
MLADEN TOMIC A hypnotic compound of techno and tech-house, further enhanced by the powerful groove and bass lines which characterise the sets of Mladen Tomic, Bosnian DJ and producer, who has won the hearts of clubbers across the globe.
You will recognize his uncompromising sound and strong energy, which is woven into every one of sets. The carefully selected compositions. The unique production. The strong personal touch, whether in production, the mix or the re-mix.
His personal work, recognised and supported by both prominent artists and owners of famous record labels such as Dubfire, Richie Hawtin, John Acquaviva, Monika Kruse, Umek, Popof, Adam Beyer, Stefano Noferini and others, have catapulted him to among the best, and opened the doors of the most prestigious clubs and festivals around the world.
LEFTWING : KODY
Since forming back in 2012, Leftwing: Kody have made it all look so darn easy.
Both Mixmag and DJ Mag named them one to watch a mere year after Leftwing : Kody formed, with DJ Mag even nominating Leftwing : Kody for ‘Best Breakthrough DJ’ in their Best of British Awards. Having notched up a string of key releases on house labels like Desolat, Relief, Moon Harbour, Sola, Toolroom, Solid Grooves, Truesoul and their own lost imprint, it’s been one foot in front of the other for quite some time. Having already made a massive impact this year with the “Come Over” EP on Moon Harbour Recordings, the duo then released the huge ‘I Feel It’ on Toolroom which came equipped with a Paul Woolford & Boston Bun Remix and was daytime play listed on Radio 1 & Kiss in the UK, notching up over 7000 radio plays by the summer and played in ever club and bar across the globe over the summer, they can now add Columbia Records to the pinnacle of that list. “I feel truly blessed to have this opportunity to work with a label with such a rich history in our music culture,” says Jon Kong, AKA Leftwing of the news. “The past two years, I’ve veered away from the club scene: I’ve been working with a lot with vocals and with singer songwriters. Columbia really is the place to be to nurture a producer who wants to take things to radio. Something we discussed was making music to play to our kids or to our parents… we just didn’t think it would happen as quickly as it did!”
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