Lys, Christian Löffler’s newest album, serves as a sequel and contrast to Graal, its predecessor. Whereas the latter is the result of a six-month period spent largely on the road in between live shows, the former is a studio release in the truest sense, recorded and compiled in the serenity of Löffler’s home studio.
While produced within four walls, Lys’ grounding comes from what lies beyond them – Graal, Müritz. This isn’t the first time Löffler has drawn on his home surroundings for his art: the woodland refuge formed the basis for his 2012 album, A Forest. Lys, however, captures something even more funda- mental in nature: light. “I realised that the light is different in the north of Germany, and this became an overall theme for the album,” Löffler explains. “Before I had Mare, and Forest, and now it’s become light,” hence the album’s title, meaning “light” in Danish.
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