Feminist, diverse and genre-spanning, the Heroines of Sound festival supports the presence of women artists in the art and music worlds and makes the connections between different genres tangible. With ten concerts and a sound art exhibition, the tenth edition of the festival is dedicated to the thematic spectrum of microtonality, noise, and drones with performances by over fifty artists from twenty different countries of origin.
The international electronic scene is represented with live sets by Beatriz Ferreyra, Electric Indigo, Jasmine Guffond, and Martyna Poznańska. Together with performances by Contagious and a commissioned work by Merche Blasco for voices and electronics, a panorama of today’s experimental electronic music opens up. As a further highlight, a concert by Ensemble KNM Berlin presents recent compositions by Monika Szpyrka, Bergrún Snæbjörnsdóttir, and Kirsten Reese, among others. The Norwegian artist Tine Surel Lange, whose concert installation portrays Arctic landscapes conceived as sound-ecology, will be a guest for the first time.
A large segment of this year’s edition centers on the electric guitar. Already for the festival opening, visitors will experience the sound of seven electric guitars as an electro-magnetically controlled sound sculpture in Catherine Lorent’s multi-award-winning installation Relegation (2013 Venice Biennale, Luxembourg Pavillon).
A spotlight is on the French composer Pascale Criton, one of the leading representatives of spectral music not yet widely known in Germany. The program also presents younger artists such as Marina Khorkova, Stepha Schweiger and Maja Bosnić, who use a sound language from traditions of microtonality and musique concrète to explore a spectrum of oscillating frequencies that merge into metallic hardness or raw noise.
This year’s opening concert will be performed by the Vienna Black Page Orchestra, one of the most exciting formations in the current music scene. Following a spectacular concert installation by Austrian sound pioneer Elisabeth Schimana, the Black Page Orchestra will present the audience with the immersive sound worlds of Rojin Sharafi, Eva Reiter, Billy Roisz and Maja Bosnićs, whose composition ((mno.go)), conceived for hearing protection, makes pulsing sounds physically perceivable. Likewise physically extreme are the low-frequency sound waves of Stefanie Egedy’s sub-bass installation (B.A.S).
The festival finale puts the electric guitar in the spotlight again. Performances by Ale Hop, Chra, Mays Shenfeld, and new works by Ann Cleare, Katherine Young, and Yoko Konishi trace an arc to contemporary art music.
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