In vitro #16
Taku Sugimoto
Taku Sugimoto is a Japanese guitarist who rose to prominence in the late 1990s in Tokyo. He uses a distinctive and melodic approach to free improvisation, which was considered a departure from the norm. Critic Bruce Russell hails him as a pre-eminent stylist, describing his music as a “golden glow marked by introspective and calligraphic play”. In the early 2000s, Sugimoto's work evolved, becoming increasingly abstract, working with extended periods of silence and restrained guitar play. Today he works mostly with the technique of just intonation. A practice he has been developing for over 10 years, featuring human voices, different kinds of instruments and carefully selected compositions that were presented as part of the Suidobashi Chamber Ensemble.
His collaborations extend globally, featuring artists from the Japanese Onkyo movement like Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide. On an international level his most notable collaborations include Kevin Drumm, Gunter Muller, Julia Eckhardt, guitarist Kieth Rowe and Wandelweiser composers like Radu Malfatti and Manfred Werder, who were also his introduction into the European free improvisation scene. Sugimoto's diverse musical journey encompasses restrained melodic brilliance, experimentation, and multiple collaborations across continents.
https://takusugimoto.bandcamp.com/album/for-5-guitars
https://takusugimoto.bandcamp.com/.../quartet-humming...
https://takusugimoto.bandcamp.com/album/italia
https://takusugimoto.bandcamp.com/album/falls
Luciano Maggiore
Luciano Maggiore is a Palermo-born, London-based musician whose work is characterized by the use of speakers and several analogue/digital devices (samplers, CD players, walkmans, tape recorders) as well as acoustic objects and addresses the performativity of the musical act, the perception of it, and the obscurity that emanates from it. His main interests include mechanisms of sound diffusion, performance, repetition, endurance, non-human animal languages, dance, and folklore.
With Louie Rice, he started NO-PA/PA-ON, a project that deals with performing score-based works, both acoustic and amplified. He also collaborates with Michael Speers, making music that contemplates the kernel of black metal.
https://901editions.bandcamp.com/album/whistle-posse
https://edizioniluma.bandcamp.com/.../drenched-thatched-roof
https://edizioniluma.bandcamp.com/album/self-talk
Anouk Kellner
Anouk Kellner makes sound installations, compositions, field recordings and documentaries. In her work she experiments with diverse textures in drone and noise, working around themes like sound ecology and nostalgia. Without imposing anything, she wants to take the listener along while creating soundscapes that persist within a loss of sense of time.
Her latest work mainly revolves around the pipe organ. In the Airchoir project, the installation she’ll present at IV16, this interest emerges as well. The Airchoir is an instrument made of 8 singers, with breathing lungs and organ pipes as voices. Together they sing programmed compositions which are manipulated by manually over the course of a performance, exploring different textures.
https://www.youtube.com/watch?v=4VUmY47oxEY
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Entrance: €12
Doors: 20h00
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↓ Due to unforeseen circumstances the location of this event has been changed ↓
les ateliers claus
rue crickxstraat 13
1060 brussels
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