Resonate X Chasm

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    motiv-a Talks by: Frankie Decaiza Hutchinson (Discwoman) Kunal Gupta (Babycastles) The New York Immigration Coalition Heidi Sabertooth Bergsonist (Live) Ontal Aurora Halal CHASM Installation: JJ Brine Projections: Metagasm; Alfredo Salazar-Caro (DiMoDa) Live Visuals: Sandra Cordero (The Sperm Whale) Margaret Velvet and Laura Duvall – movement-based performance Richard Kennedy – vocal performance Collapsing Scenery (Record Release) Malory – live electronic set Pl?beian – live electronic set Celestial Trax – DJ set
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  • RESONATE X CHASM is a collaborative showcase of experimental art and music, presented as part of STAY NASTY - Fundraiser ft. 4 Days of Music, Art + Performance at Knockdown Center. All ticket sales go to benefit Callen-Lorde Community Health Center and The New York Immigration Coalition. RESONATE is a new event series aimed at connecting purveyors of freedom in the arts with existing humanitarian organizations. RESONATE was conceived of by SIA (Solidarity In Action), an independent, artist-run platform formed in response to the 2016 election. By combining music, humanism, activism, and community outreach, SIA serves to empower various progressive organizations, with the goal of generating funds and extending resources to those working to develop innovative strategies for policy change. https://www.facebook.com/Solidary2017 CHASM is a Brooklyn-based curatorial project for new media, light art and experimental music. Each immersive multimedia event brings together an interconnected group of light artists and performers, with a focus on live audiovisual sets. In light of the post-Oakland crackdown on DIY art spaces nationwide, CHASM stands for the prevailing strength of artists, providing an open door for people of all backgrounds. CHASM is presented by Julia Sinelnikova (The Oracle @ Vector Gallery). http://chasm.nyc/ CHASM 1.13.17 @ KNOCKDOWN CENTER On the heels of the New York Times reviewed launch event last month, CHASM returns to start the year with a showcase of live performances and light installations. Collapsing Scenery headlines with a musical performance set within a live multi-channel video installation, marking the release of their new single and 7”, The Cat Looks At The King. JJ Brine, Crown Prince of Hell, continues his PAC End of the World series of politically-charged light shrines (programmed to precisely achieve a timely apocalypse in 2033 AD); Alfredo Salazar-Caro (Di Mo DA) presents an animated projection, and Laura Weyl (aka Metagasm) will demonstrate her oil-based projection technique. Sandra Cordero (The Sperm Whale NYC), a veteran of NYC institutions such as Rubulad, Disorient and Warper Party, presents a live visual set, implemented through custom-coded software. Margaret Velvet and Laura Duvall, part of CHASM's opening line up, will present a new iteration of their movement-based duet. With his first solo album recently out on Sweat Equity, interdisciplinary performer and director Richard Kennedy will give a live vocal performance. Following Collapsing Scenery, Malory (GODMODE) brings a dark, minimal electronic set. Label mate Plǝbeian continues the night with a live set of driving, energetic beats. CELESTIAL TRAX (PTP fka Purple Tape Pedigree) released a new EP on Materia Records last month, and will close the night with a DJ set to lift the dance floor. -----/----- Benefitting: Callen-Lorde Community Health Center provides sensitive, quality health care and related services targeted to New York’s lesbian, gay, bisexual, and transgender communities — in all their diversity — regardless of ability to pay. To further this mission, Callen-Lorde promotes health education and wellness, and advocates for LGBT health issues. The New York Immigration Coalition aims to achieve a fairer and more just society that values the contributions of immigrants and extends opportunity to all. The NYIC promotes immigrants’ full civic participation, fosters their leadership, and provides a unified voice and a vehicle for collective action for New York’s diverse immigrant communities.
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