An Event Series presenting quality electronic music and a joyful vibe
Free before 11pm / $10 after incl. Drink ticket / 21+
SR Serge (SR, Nervous Records)
https://soundcloud.com/grassisgreener
While his sound has evolved over the years, at the core of his sets is a dark energy that evokes the legacy of the New York underground. Incorporating everything from tribal to progressive and tech-house, he seamlessly navigates across diverse genres. His sound has penetrated numerous venues and festivals around the world, dropping sets in clubbing destinations like Mexico, Canada, Brazil, France, Russia, Spain and Ukraine, sharing the booth with legends; Crystal Method, Darren Emerson, Satoshi Tomiie, Hector Romero, Shlomi Aber, Christian Smith, Carlo Lio, Lele Sacchi, Jody Wisternoff, Lexicon Avenue, Peace Division,Behrouz, John Creamer & Stephane K, and many other talented artists.
Domingo Cava (Sullivan Room)
https://soundcloud.com/domingocava
Domingo is an uncompromising dj and producer from New York City, An advocate and guardian of the city's underground scene, his style bridges art and science through a multitude of sounds and technology, delivering dance floor music that is emotive and powerful.
Carlos Castano (Imagine)
https://soundcloud.com/carlos-castano
Carlos has been letting his music do the talking with tracks that drive hyper-kinetic drums and experimental vocals. His sound is a journey into deep, smooth elements influenced by his Colombian roots. His style captures the crowd and makes them groove at big room venues and with his own produced soundscapes at after-hour chill outs.
Tristan Dominguez (SR, System Recordings)
https://soundcloud.com/badonkadonk-records
Standing at 6 feet 4 inches and having heroically maintained a weight of 160 pounds, Tristan has been playing dance music in New York since the turn of the century. After an education in the art of the DJ set by the rotating cast of top shelf talent Thursdays at Centro Fly and Fridays at Twilo, Tristan began to realize that nobody was going to play every song he wanted to hear in the order he wanted to hear it in except himself, and he set about learning how to mix. He found that there was an audience that enjoyed his taste and before long began to get some residencies in smaller venues throughout New York. Some record releases and a series of increasingly prestigious gigs later, and he now commands the clout to write his bio in the third person.
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