Scuba mixes fabric 90

Obviously this mix comes at at tough time for fabric. What has the club meant to you over the years? I first went to the club in the few weeks after it opened. As a member of the audience it was a special place for me, especially in Room 2 on Fridays. As a DJ it's been Room 1 on Saturdays that I've really connected with. A key part of my development as a DJ was moving from playing on Fridays to Saturdays, that was an important symbolic step. As DJ booths go, Room 1 is extremely hard to beat and the fact that you're really close to the crowd but also separated by the grille that goes around the booth makes playing there quite a unique DJing experience. It's like being in a spaceship flying through a sea of people. Do you think the London club can/will recover? I really hope so. It seems like the reasons behind the closure don't have much to do with the official explanation and I'm optimistic that if the issue is put before a more impartial body then there'll be a favourable outcome. Was there any specific idea or approach behind the mix? I've done a lot of studio mixes since my last commercially available CD in 2011 and I've approached them all in the same way I would DJ in a club, which is also how I did my SUB:STANCE and DJ-Kicks CDs. So for this I wanted to do something a bit different, the details of which I don't think it's really necessary to go into. Let's just say it'll be obvious to anyone listening to it that it wasn't done on three decks and a mixer. Did the club itself influence the direction or sound of the mix? Not really, and obviously that would've been different had I known what was going to be going on now when I put it together. That said, it's a club mix and fabric is a real club. So it still makes sense I think.