One of the biggest names in the German electronic music scene. Active since the early 1990's, Flugel is a chameleon visiting many styles from ambient/idm to house, techno, electro and leftfield. Works solo or with long time partner Jorn Elling Wuttke...
It all started with one of these Chicago Trax compilations on
DM/STREETSOUNDS. As a reaction to his thirsting for more of these crazed
beats from overseas and with a view to his tight budget, the greatest hits of
these expensive imported 12” singles were soon released in the form of a
compendium.
This opened Pandora’s box, for very young Roman Flügel, too. Innocently
given to him by his elder brother as a present (“He probably had no idea what
he was about to unleash and just wanted to give me some new music”), the
dazzle of the unrefined and feverish dance music, furnished with just a few
drum machines and inexpensive synthesizers, turned the whole world upside
down for the cultivated music pupil from Darmstadt. After several evenings at
Sven Väth’s renowned Omen club, few kilometres further up north, and his
mind was made up. Memories of the atmosphere at the legendary Warp or
Underground Resistance label nights has put a smile on Flügel’s delicate face
ever since – a man who would also make a fine figure as a literature lecturer,
poet or thinker. “LFO’s bass, once they had set up their massive range of
equipment, was unbelievable,” he says laughing.
It didn’t take long before the well-trained ear tried out more than just classical
melodies. Little by little, he collected a vast array of equipment, bringing forth
his first sound experiments and enough courage to give a demo tape to indie
fan (that’s what music magazines like Zillo used to call people like that back
then) Jörn Elling Wuttke. The latter was a well-known face in Darmstadt’s
music scene and often enthused about new electronic music. In him he had
found the right partner and Wuttke could hardly believe his spellbound ears.
DJs und Delirium record sellers Ata and Heiko MSO from Frankfurt felt the
same. At first they thought someone was making fun of them. It sounded too
authentic and unique. The music Flügel and Wuttke had presented to their
label Ongaku and Klang Elektronik as Acid Jesus or, rather, Alter Ego,
couldn’t possibly come from the little neighbouring town Darmstadt. In
Frankfurt, that kind of sound made people think of Detroit. The rest is history
and forged an almost holy alliance. Speaking of holy: a humid summer’s day, a
crate of beer and a studio in a garage sufficed to found a new label by the
name of Playhouse for Holy Garage and to create that certain “surprise” which
still excites house clubs today. Comrades-in-arms such as Isolée, Don Disco
alias Losoul and Ricardo Villalobos made the label the number one address.
So they went on, history was written and the nineties flew by in a jiffy. His
degree course in music was in the way: “It seemed obsolete somehow, just to
be analyzing church sonatas all day when there were so many interesting
things going on around me. When, on top of that, the only semester on modern
music was cancelled that year, I decided to leave the university.” Luckily for
us all, actually. The electronic intellectual’s productivity is virtually
unparalleled and Roman Flügel, the producer, DJ and label co-owner of
Ongaku/Klang/Playhouse has meanwhile become a gentle giant in the German
electro scene. With his own personal style and the privilege of being
independent from the usual constraints of the music industry. A free spirit
instead of a sheep. His solo project as Soylent Green (see the latest “La Forca
Del Destino” compendium) is just as much of a must as his Alter Ego project
with Wuttke, rigorously affirming techno down to the very last detail. He and
Wuttke also count as techno Teuton Sven Väth’s favourite producers, who
booked the team to produce a series of his own music. Roman’s work as Eight
Miles High and Ro 70 show his quieter side, while the remixes (e.g. for Daft
Punk, The Human League, Primal Scream, Pet Shop Boys, Kylie Minogue)
and tracks under his own name (just think of the Arcade rave of “Geht’s
Noch”) are light dancefloor affirmations.
Roman also champions the cause of this in his job as an entertainer. Tried and
tested by the stadium and pop hit “Rocker”, Flügel and Wuttke can be proud
of being able to set any auditorium in the world on fire with their live set. DJ
Roman Flügel can say the same of himself. Be it his sets at Offenbach’s
Robert-Johnson, Amnesia on Ibiza or Berlin’s Tollhaus Berghain/Panorama
Bar: instead of disappearing in trivial and meaningless elevator clicks, he
prefers to make his way through 20 years of “rave”. Contemporary music that
includes bleeping house or quirky techno meets futuristic Italo-disco and
electronica devoid of all provenance. There was a time when you’d call that
kind of sound acid house, released cheaper by the dozen on compilations. It
all turns full circle again.
Gerd Janson 2009
̸
1.Roman IV „Altes Testament“ – Play 002 / 1995
A (14x7x4)
B Altes Testament
2.Roman IV „Algo“ – Play 005 / 1995
A Algorhythmus
B1 Fkk
B2 Green Tea
3.Ro 70 „Ro 70“ Source Records CD 950821 / 1995
Einklang
Gog
Alma
Room 385
Visible speech
Magog
Fm Thythms
Ballon above Java
10 to 10
Künstlicher Ausklang
4.Soylent Green „Low Pt. 1 & 2“ – Play 010 / 1996
A Low pt 1
B Low pt 2
5.Eight Miles High „One“ Klang 09 / 1996
A1 Introduction
A2 Flow Chart
A3 Tribute to Peter v. Zahn
A4 Zero One
B1 Bill Gates Blues
B2 Razorsharp
B3 Conversations
B4 Death of a Braincell
6.Eight Miles High „Two“ Klang 10 / 1996
A1 Drone
A2 Frogs
B1 The Gift
B2 Art Gallery
7.Ro 70 meets Move D „Pt 1“ Source Records 1245 / 1997
A untitled
B untitled
8.Soylent Green „2“ – Play 013 / 1998
A Jet Set
B1 Brut
B2 After all
9.List „Rewind“ Klang 20 / 1998
A1 Rewind
A2 Idea 01
B1 Slot
B2 Lick
B3 Stick
10.Melanin „Untitled“ Melanin 05 / 1998
A untitled
B untitled
11.Ro 70 meets Move D „Pt 2“ Source Records 1200 / 1998
A untitled
B untitled
12.Acid Test „Acid Test one & two“ – Play 020 / 1999
A Test one
B Test two
13.Tracks On Delivery Part 1 – Ongaku 020 / 2000
A1 Pattern one
A2 Pattern two
B1 Pattern three
B2 Pattern four
14.Tracks On Delivery Part 2 – Ongaku 023 / 2000
A1 Pattern 5
A2 Pattern 6
B1 Pattern 7
B2 Pattern 8
15.Soylent Green „On The Balcony“ – Play 041 / 2000
A On the balcony
B1 G. Krishna
B2 Not to be named
16.Eight Miles High „The End Of The Beginning“ Klang 36 / 2000
A1 Feat.
A2 In this place
A3 Pardon
B1 Ride´em
B2 Rot/Grün
17.Eight Miles High „Chamber Musik“ Klang 42 / 2000
A1 Chamber Musik
A2 Garelli
B1 Trost
B2 Im Schatten
B3 E-Starre
18.Soylent Green „At The Gates“ – Play 067 / 2002
A Pass the Coke
B1 At the gates
B2 Cold showers
19.Tracks On Delivery Part 3 – Ongaku 028 / 2002
A1 Pattern 9
A2 Pattern 10
B1 Pattern 11
B2 Pattern 12
20.Tracks On Delivery Part 4 – Ongaku 029 / 2002
A1 Pattern 13
B1 Pattern 14
B2 Pattern 15
21.Eight Miles High „Katalog“ Klang CD 08 / 2002
Intro
Flow Chart
Tribute to Peter v. Zahn
Zero One
Conversations
Things that keep you warm
Frogs
Art Gallery
Feat.
In this place
Ride´em
Im Schatten
Pure Beauty
Katalog
Reflexed
Sowohl
Told
22.Roman Flügel „Geht´s Noch?“ Cocoon 12“012 / 2004
A Geht´s noch (Original)
B Geht´s noch (Dominik Eulberg Remix)
23.Soylent Green „La Forza Del Destino“ Play CD 18 / 2006
Jet Set
La forza del destino
Cold showers
Low pt. 1
After all
On the balcony
At the gates
Stay stupid
Humpty Acid
Camera obscura
Not to be named
24.Roman Flügel „Mutter“ Klang 108 / 2006
A1 Say Hello
A2 Mutter
A3 Strich
B1 Lao Aviation
B2 Danndann
B3 Wave Good Bye
25.Dell & Flügel „Superstructure“ LIO08CD / 2006
Superstructure
Urban Practise
Miniaturisation
Wolkenbügel
4 Door Body Cell
Perspective, Moscow
Study for a Skyscraper
Habitation
Dirty Realism
26.Dell & Flügel „Study for a Skyscraper“ LIO09EP / 2006
A1 4 Door Body Cell
A2 Study for a Skysraper
B Study for a Skyscraper (A Guy Called Gerald infusion Mix)
27.Soylent Green „La Forza Del Destino Remix“ Play 134 / 2007
A La forza del destino (Radioslave Remix)
B La forza del destino (Original)
28.Roman IV „Neues Testament“ Play 148 / 2008
A Neues Testament
B1 As time goes bye-bye
B2 Outro
29.Roman Flügel „Stricher“ Turbo 67 / 2009
A1 Stricher
B1 Discofiasco
B2 Prinzessin X
30.Roman Flügel „Brian Le Bon“ Live at Robert Johnson 006 / 2010
A Brian Le Bon
B N.M.I.S.M.D.
31.Roman Flügel „Volume 5“ Live at Robert Johnson CD 05 / 2010